Genie In A Bottle Urban Dictionary

1999 single by Christina Aguilera

“Genie in a Bottle”
Single by Christina Aguilera
from the anthology
Christina Aguilera
B-side
  • “Blessed”
  • “We’re a Miracle”
  • “Don’t Make Me Dear You lot”
Released May 11, 1999 (1999-05-11)
Genre
  • Teen pop
  • blue-eyed soul
  • dance-pop[i]
Length
3:36
Characterization RCA
Songwriter(due south)
  • David Frank
  • Steve Kipner
  • Pamela Sheyne
Producer(s)
  • David Frank
  • Steve Kipner
Christina Aguilera singles chronology
“Reflection”

(1998)
Genie in a Canteen

(1999)
“What a Girl Wants”

(1999)
Music video
“Genie in a Bottle”
on YouTube

Genie in a Canteen” is a song by American singer Christina Aguilera from her cocky-titled debut studio album (1999). It was written by Pam Sheyne, Steve Kipner and David Frank, and produced by Kipner and Frank. The song was released on May 11, 1999, past RCA Records as the album’southward lead single. It is a teen pop and dance-pop song which incorporates elements from R&B. Lyrically, “Genie in a Canteen” uses sexual references to talk nigh the theme of self-respect.

“Genie in a Bottle” received generally favorable reviews from contemporary music critics, most of whom praised the song’south lyrics and Aguilera’south vocals on the rails. It was nominated for Best Female Pop Vocal Functioning at the 42nd Annual Grammy Awards.[2]
The single achieved commercial success, peaking atop the record charts of 21 countries.[three]
In the United states of america, the vocal peaked atop the
Billboard
Hot 100 and was certified double platinum by the Recording Industry Association of America (RIAA), having sold more than ii million copies in the country.

A music video for “Genie in a Bottle” was directed past Diane Martel and shot in Malibu, California. The video was well received past media outlets and gained a lot of play on music channels including VH1, BET and was featured heavily on the MTV programme
Total Asking Live. “Genie in a Bottle” has been widely recognized as one of Aguilera’s signature songs, and was credited with establishing her proper name in the music manufacture every bit well as playing a huge office in teen pop civilisation. A Spanish version of the song titled “Genio Atrapado” was included on
Mi Reflejo
(2000), and the electropop remake “Genie two.0” was included on
Keeps Gettin’ Better: A Decade of Hits
(2008).

Background

[edit]

Subsequently receiving notification that the last season of
The New Mickey Mouse Club
(1993–94) would air, cast member Aguilera became determined to release her debut studio album during her senior year in loftier school. She began recording sessions with producers Roberts Alleca and Michael Brownish, but was displeased with the pace of her developing career.[4]
Despite being offered free studio time with Alleca and Brownish, Aguilera ventured to Japan in an effort to boost her career.[4]
While there, the pair offered her the opportunity to collaborate with Japanese popular star Keizo Nakanishi on the track “All I Wanna Practice” (1994), though the project failed to achieve commercial success.[four]
As her international successes broadened, Aguilera defenseless the attention of time to come manager Steve Kurtz; she had previously had a verbal agreement with Ruth Inniss, which was never later formalized.[5]

Kurtz spent much of his time devoted to finding Aguilera a record bargain, sending demos to multiple companies. Merely as communications with RCA Records began, she was offered the chance to record “Reflection”, the theme song for the 1998 Disney film
Mulan. Its success landed her a multi-album recording contract.[6]
RCA’s financial state prevented them from contending with major labels at the time. In an attempt to encourage Aguilera to sign with them and maintain the hype surrounding “Reflection”, they offered to record and release her debut studio album by January 1999, though such an arrangement ultimately failed to happen.[7]
[8]
Originally, Aguilera “wasn’t besides crazy” nearly the demo recording for “Genie in a Canteen”, though she eventually became “proud” of the cease result.[ix]
RCA executive Ron Fair sympathized with her reaction to the release and inclusion of the track, finding that the marketing decision would be to release a “sugar candy” number one single, something that was not necessarily a “smashing song” and then that her career could strengthen.[10]

Writing and evolution

[edit]

EMI executive Carla Ondrasik introduced two of her virtually prominent songwriters, David Frank and Steve Kipner.[11]
They began working together, and subsequently collaborated with writer Pamela Sheyne.[11]
The evening before their songwriting appointment, Frank awoke with an idea for a vocal which consisted of an eight-bar loop with “a lot of different changes”. When presenting the track to Sheyne, she performed the lyrics “If you want to be with me”, which Frank liked.[11]
The three writers continued calculation lyrics to a “really fast” writing session; they agreed that intellect was an afterthought, with the principal intention to create a “hit song”.[11]
They agreed a female should serve as the lead vocalist, at which point Frank recommended that Aguilera tape the runway.[12]

Aguilera contributed a spoken hook for the song, commenting that there “wasn’t enough time” betwixt the
Mulan
soundtrack and
Christina Aguilera
recording sessions for her to provide lyrical offerings. She later on claimed that she had a substantial part in the track’s production, stating that she adjusted instruments and lyrics later being displeased with its “rough ancestry”.[xiii]
Originally presented equally “If You Want to Be With Me”, Aguilera’southward management suggested the concluding name “Genie in a Canteen”.[11]
The title was conceived to present an Arabian theme, which the characterization felt they could marketplace with beaded jewelry and habiliment to develop the record’southward theme.[xiii]
Prior to existence recorded by Aguilera, the rail received much interest from the writers of the up-and-coming girl group Innosense, who felt that the ring was more likely to make the song a hit. Still, after RCA Records executive Ron Off-white pushed for the rails, the writers immune Aguilera to tape the runway, and had “no doubt” she was the right performer after she completed the recording.[xi]

Recording

[edit]

The demo track that the tape visitor had heard was used as a basis for Aguilera’s actual recording, every bit she only replaced the vocals on the demo with her own earlier the writers and producers edited it for comeback. However, afterward the first recording was completed they felt her vocals were too “difficult” sounding; a second proved to deliver the “softer” quality they were afterward.[11]
During the recording procedure, co-writer Kipner was impressed by Aguilera’s performance of complex R&B lines, something he had only come to look from older artists, and compared her song style to that of Chaka Khan, Etta James, and Mariah Carey.[10]
The recording of “Genie in a Bottle” was detailed in an article by
Sound on Sound
in which David Frank described the development of the track.[14]
Earlier Frank had met Aguilera nigh of “Genie in a Bottle” had already been completed, he had heard a tape delivered by RCA featuring Aguilera’s performance of “Reflection” but Frank feared she could not perform in a “hip-hop oriented style”.[14]
The instrumental for “Genie in a Canteen” was almost complete before the entire limerick had been finished, it was only when he was contacted by songwriter Pam Sheyne that they progressed in writing the rails and after Frank contacted Steve Kipner “a practiced friend” of his, and after agreeing to collaborate the three continued writing “Genie in a Bottle”.[xiv]

Limerick

[edit]

Reviewers of “Genie in a Bottle” noted the youthful message with
The New York Times
proverb “One of the summer’s catchiest singles captures the moment’s anxieties near teen-historic period sex”.[fifteen]
The rail has been described equally “bluish-eyed-soul” and has been labelled “a skittish dance striking, propelled by indecision “My body’southward saying let’s become […] simply my heart is saying no”. The chorus then plays with “bubbly dance beats” equally Aguilera metaphorically describes herself every bit a Genie trapped, and can only be released when rubbed “the correct fashion”.[fifteen]
She explained “If you listen to the words “My body’s saying let’s get but my eye is proverb no”. My heart is proverb no. So it’s really a song about cocky-respect and treating me the way I want to be treated before I just requite my love away to anybody”.[xv]
Celebrities such as Debbie Gibson spoke out confronting the song saying she was “horrified” with the lyricism existence performed past an eighteen-year-old; the comment went on to upset Aguilera who plant her beingness a female was restricting what she could perform.[fifteen]
Lyricism in the track had sexual references which saw controversy ascend, Larry Motion-picture show from
Billboard
commented, “Fueled by a chugging groove and richly layered vocals, the tune is punctuated by a breathy command to ‘rub me the right mode.'” Aguilera said that “the song is not well-nigh sexual practice, Information technology’south nearly self-respect. It’s most not giving in to temptation until you’re respected.”[xvi]
In Malaysia the controversial lyrics gained information technology a ban which led Aguilera to re-tape some of the lyrics such as; “hormones racing” to “center-beats racing” and “rub the right way” to “treat me the right way”.[xvi]

“Genie in a Bottle” is written in the key of F minor with a tempo of 88 beats per minute. The song follows a chord progression of Fm – E


– D

, and Aguilera’s vocals bridge from Fiii
to B


four.[17]

Disquisitional reception

[edit]

‘Genie’, [Aguilera’s] ubiquitous outset single, became an instant hit due to its catchy chorus and Aguilera’s appeal. Likewise being her first striking single, the song too separated her from the other pop stars that were coming out at the aforementioned time. The unmarried boasted debatably provocative lyrics (‘my body’south saying allow’s go’ and other lyrics were considered likewise provocative to be sung by a teen idol some thought. Radio Disney played a censored version of the song on their station). Aguilera quickly established she was different than your typical popular star.”

—Yahoo!, Nicole Hogsett describing the vocal’south touch on Aguilera’s career[eighteen]

Tom Lanham of
Entertainment Weekly
gave the song a B+ for its predictability after other performers from the
Mickey Mouse Order, writing, “Yet another ex-Mouseketeer scampers down the Britney-pop path with a suggestive synth ditty and a croaking voice well beyond her eighteen years.” Lanham wrote that her vocal operation was “uncomfortably adult” but called the track “a sinfully sweet confection”.[19]
A writer for the
Pittsburgh Post-Gazette
gave the song a positive review calling it a “smoldering soul-pop” track and described Aguilera’s vocals as being “provocative” whilst calling the song a “pleasance” to listen to.[20]
In a review for the album
Christina Aguilera
critic Robert Christgau called the song a “dazzling clever piece of teen cocky-exploration cum sexploitation”.[21]
Nana-Adwoa Ofori of the AOL Radio blog listed the song every bit her summit Christina Aguilera song declaring information technology as her “signature” track.[22]
A writer from
Daily News
establish Aguilera to be more capable vocally than the tracks limits merely found the runway to be “a slice of thumping sensuality”.[23]

Nicole Hogsett of Yahoo! institute the song’s appeal was due to the catchy chorus but institute the song separated her from other pop stars at the time of the single’s release. Hogsett found the song rapidly “established she was different than your typical pop star”.[18]
People
called the song “sexy” and “pulsating”.[15]
A writer for
The New York Times
“got” the song’due south youthful message and said “One of the summer’s catchiest singles captures the moment’s anxieties about teenage sex. ‘Genie in a Bottle’, sung by the blueish-eyed former Mouseketeer Christina Aguilera, is a skittish dance striking propelled by indecision”.[fifteen]
Pier Dominquez, writer of
A Star Is Made
found the vocal could be deemed suggestive but stated the rail does not promote sex activity or promiscuity.[xv]
He constitute the sensuality of the song came from Aguilera’s vocal delivery and found her ad-libbing something that would prepare her apart from other artists.[24]
Eliseo Cardona, CDNow senior editor, was not satisfied with the translation: “…when Aguilera sings her breakout hit “Genie in the Bottle” in a direct Castilian translation, “Genio atrapado”, she sounds funny, if non ill at ease. Indeed, the overly literal Castilian lyrics brand for both a good laugh and a better yawn.”[25]
Parry Gettelman of
Orlando Watch
praised her vocals: “Aguilera’due south powerhouse way works best on the urban-flavored upwards-tempo numbers. She uses the more bonny lower end of her range on expanses of ‘Genio Atrapado’.”[26]
Sean Piccoli, music author of
Sun-Scout, wrote a positive review: “‘Genio Atrapado’, the opener, is equally cheesy-sexy-cool every bit the original, ‘Genie in a Canteen’, her first hitting. The translation fits the tune, non vice versa, and so Aguilera can still revel in her teenage awakening even without a Spanish equivalent of, ‘Ya gotta rub me the right way’.”[27]
The song was voted equally the 18th all-time vocal of 1999 by Pazz & Jop.[28]
It was nominated for All-time Female Pop Vocal Operation at the 42nd Annual Grammy Awards.[ii]

Commercial performance

[edit]

“Throughout the summertime of 1999, Christina Aguilera’s “Genie in a Bottle” blared from car stereos. The funky pop hitting topped the popular charts for weeks, racking upward multi-platinum sales. What makes the vocal’s initial success even more astounding is the fact that it topped the charts weeks before an accompanying music video was made. That such unusual success came about through what could be chosen a casual act makes the song’s beginning even more awe-inspiring.”

— Ed Hogan describing the success of the track.[12]

Based on strong airplay and CD sales, “Genie in a Bottle” reached number ane on the
Billboard
Hot 100, stayed there for five sequent weeks and became the biggest summer vocal of 1999.[29]
At that bespeak, information technology had the longest stay at number i for the entire twelvemonth, tying Ricky Martin’s “Livin’ la Vida Loca” and Jennifer Lopez’southward “If You Had My Love”, although Carlos Santana would later in the year take the single, “Smooth”, to number i on the nautical chart with a ten-week run. According to
Billboard, “Genie in a Bottle” was the 2nd acknowledged unmarried of 1999, with 1,360,000 units sold, only behind Cher’s “Believe” with ane,700,000 copies sold.[30]
It also became Aguilera’s best-selling physical unmarried to date.[31]

The vocal also crossed over successfully to other
Billboard
charts, topping the Summit 40 Mainstream, Tiptop 40 Tracks and Rhythmic Pinnacle xl charts. The song even managed to reach the Adult Top xl, and the Spanish version of the vocal, “Genio Atrapado” (English: “Trapped Genie”), was a pocket-size hit on the Latin chart. Strong sales bodacious the single a platinum certification. “Genie in a Canteen” stayed on
Billboard
Hot 100 for 25 weeks, and 24 weeks in the Uk. Internationally, a like chart dominance was seen, every bit the rails went to number ane in both the U.k. and Canada for multiple weeks. It charted within the top v in every land it charted. Overall, the song is Aguilera’s second-highest charting single, behind “Lady Marmalade”, a collaboration with Lil’ Kim, Mýa and Pink. “Genie in a Bottle” was certified platinum in Germany for selling over 500,000 units.[32]
The single was also certified platinum in Australia for selling over lxx,000 units.[33]

“Genie in a Bottle” was certified platinum in almost every country it was released in, later ending at No. 7 on the Year-Finish charts in the United States, and No. 7 on the European Twelvemonth-Stop charts. In the United kingdom of great britain and northern ireland, it sold 172,000 copies in the commencement week, and spent two weeks at number 1. As of October 2021, it was her third biggest song in the land with i.04 meg copies sold, and 37.2 meg streams.[34]

Music video

[edit]

The music video accompanying the track was directed by Diane Martel in April 1999, who had previously worked on Mariah Carey’s “Dreamlover”, and was shot in Malibu with surround of a embankment and a wooden beach house.[35]
“I was out on the sand, greased upwards in, like, baby oil in shorts and a little cut-off summit” she recalled, during the video, scenes saw her and others surrounding a campfire and despite this Aguilera recalled the video shoot was “freezing” with coiffure members all wearing big coats to keep them warm from the cold which Aguilera was struggling with.[35]
In most scenes of the video, Aguilera sings and performs a “genie” inspired choreography with her male dancers in forepart of the beach. As the video advances, the guys (with Christina’s honey involvement in in that location) join the beach party. Near the end of the video, all the teens go exterior and hang out around a bonfire.

Analyzing the video,
A Star Is Fabricated
author Pier Dominquez said:

The lighting of the video prominently featured Christina’s gilt tresses equally her all-time feature, although the singer herself was rather obscured by the night shadows, suggesting that the record visitor even so did non know what to practise with the singer’s epitome. The choreography featured Christina, wearing orange pants and a beaded blouse, with her trip the light fantastic troop behind her, simulating a genie coming out of the canteen. It was filled with symbolism and her dancing was incredible.

It received heavy rotation on VH1 and BET and reached peak position on the MTV’south nautical chart of most played videos.[36]

Live performances

[edit]

Aguilera performed the track on the MTV show
TRL
among other tracks from her cocky-titled album.[16]
The particular mean solar day in which she performed the track, host Carson Daly was non present and Aguilera publicly alleged she had “missed” him which led to a media frenzy surrounding a rumored romance between Daly and herself.[xvi]
The following month, Aguilera performed on the British television chart show
Top of the Pops
and during the aforementioned episode that her performance was aired on, Mariah Carey performed her runway “Heartbreaker” which led Aguilera to denote to the media her appreciation and her willingness to meet the performer.[37]
Over again her functioning on
Peak of the Pops
had gathered more controversy than she had wished and presently a feud erupted from Carey’s team which critics noted was due to the lack of success stemming from her anthology
Rainbow
and the consistent comparisons between the pair.[37]
Aguilera also performed at the National Building Museum for the Children’s National Medical Middle in the company of president Bill Clinton; later she performed for WFLZ’southward Y-2 concert in Florida with 15,000 fans viewing, wearing a argent top and gem studded jeans with a blueish-sequined bandana performing the track on both occasions.[38]
Information technology was announced by MTV in 1999 that Aguilera would perform alive on their New Year’s Eve Special. Wearing “tight” leather trousers, Aguilera performed the track live every bit the outset song in her set which was and then followed past “What a Daughter Wants”.[39]

“Genie in a Canteen” was besides performed during her 2002–03 Justified & Stripped Tour, a concert tour which was held in order to support Aguilera’s album
Stripped
(2002) and Justin Timberlake’s
Justified
(2002).[40]
The “Egyptian-turned-metal version” performance featured Aguilera in her pink straps fastened to her outfit rolling on a giant “X”, which portrayed her gimmicky alter ego “Xtina”.[41]
It included Heart Eastern keyboards and 80’south hair-metallic guitar,[40]
where she slowly released herself as a “genie” as male dancers danced effectually her.[41]
On November 23, 2008, she performed the vocal while promoting her compilation album
Keeps Gettin’ Better: A Decade of Hits, at the 36th Almanac American Music Awards. She opened the show with a seven-minute medley of her greatest hits, which also included “Cute”, “Keeps Gettin’ Better”, “Dirrty”, “Ain’t No Other Man” and “Fighter”.[42]

In July 2021, Aguilera performed the song for two nights at the Hollywood Bowl with Gustavo Dudamel and the Los Angeles Philharmonic.[43]
[44]
She later performed a gothic-style, rock-inspired rendition of “Genie in a Bottle” during the 47th People’s Choice Awards,[45]
[46]
and sang it again during her Dubai concert, at the Expo 2020.[47]

Legacy and media usage

[edit]

“Genie in a Bottle” has been widely regarded as one of Aguilera’s signature songs.[48]
[49]
This song gained her mainstream success and brownie among music critics. It is as well credited for redefining the sound of late 1990s music.[50]
Rolling Stone
says about Aguilera, “Even in her teen-pop “Genie in a Bottle” days, she was modeling her dramatic, melismatic technique on old-school soul heroines like Etta James”.[51]
It was ranked fifth on
Rolling Stone
s list of the biggest 1990s summertime songs—a sentiment shared past the
Billboard
magazine in July 2020.[52]
[53]
It was also ranked #38th on VH1’s 100 Greatest Songs of the ’90s.[54]
In July 2020 a digital publication
The Pudding
carried out a study on the most iconic songs from the ’90s and songs that are most known past Millennials and the people of Generation Z. “Genie in a Canteen” was the twentieth vocal with the highest recognisability rate.[55]

Bustle
writer Sabienna Bowman called the vocal “a masterpiece of musical achievement” maxim that the song “either about sex or cocky respect, depending on who you asked — was the anthem of the summer 1999”.[56]
Bowman added that the vocal is “nonetheless everything that was so skillful nigh ’90s pop music”.[56]
Vice
writer Nick Levine also agreed that song allowed Aguilera to have on a “full-on popular phenomenon” persona, adding that “Aguilera is the most iconic pop star of her era”.[57]
In 2021,
Bustle
writers Anneliese Cooper and Jake Viswanath too added that Aguilera changed “the landscape of pop music forever”.[58]
Rolling Stone
writer Anthony Bozza noted that,

Aguilera’s introduction, “Genie in a Bottle”, is sugary pop – once heard, never purged – only information technology doesn’t showcase her vocal strength or control. Unlike most teen poppers, Aguilera can cut information technology without a multitrack studio. Imagewise, she isn’t the typical red-cheeked kid adjacent door, either. She’south a teen diva, a kind of legal Lolita, proffering precocious “Oops, did I say that?” innuendo and belting songs like her life depends on it. She comports herself like a pro, as if she were born with a mike in her hand, donning platform booties.[59]

In an effort to maintain the “buzz” surrounding both the record and Aguilera, RCA ready a guest spot for her to perform the runway on the teen-marketed television shows
Beverly Hills 90210. The performance saw Aguilera in a bar performing at a birthday political party for a character named David.[16]
During the 2014 US Open, the song was used whenever Eugenie Bouchard played on the court,
Genie
existence her nickname.[60]
In the fifth season of
New Girl, Jessica “Jess” Day (played by Zooey Deschanel) sings Schmidt (Max Greenfield) to sleep with the lyrics.[61]
Colleen Ballinger performed the song in the
Haters Dorsum Off
episode “Staring in a Musicall”.[62]
[63]
The song was used in the Off-Broadway adaptation of
Fell Intentions, acted out by Katie Stevens every bit Kathryn Merteuil.[64]
[65]
In Jan 2018 Erika Jayne gave a rendition of “Genie in a Canteen” during the Aguilera-themed episode on
Lip Sync Battle.[66]
Ewelina Lisowska covered the vocal in the Shine edition of a interactive talent evidence
Your Face Sounds Familiar
(2019).[67]
A slowed-down cover version of the vocal was used in the 2019 comedy-drama film
Yes, God, Yeah.[68]

Other versions

[edit]

In 2000, Aguilera recorded a Spanish version of “Genie in a Bottle” entitled “Genio Atrapado” for her 2nd studio album,
Mi Reflejo.[69]
The song’s lyrics were translated from English language to Castilian by Cuban-American producer Rudy Pérez.[70]
“Genio Atrapado” peaked at number 13 on the
Billboard
Hot Latin Songs nautical chart.[71]
The song received a Latin Grammy Award nomination for Best Female Pop Vocal Performance at the Latin Grammy Awards of 2000, which was awarded to Shakira for “Ojos Así”.[72]
A music video for the song was directed by Diane Martel, who too directed the visual for “Genie in a Bottle”.[73]

In the fall of 2001, an unauthorized mashup remix by The Freelance Hellraiser which combined Aguilera’s a cappella vocals with the Strokes’ 2001 vocal “Hard to Explain” was released under the title “A Stroke of Genius”, receiving considerable attending and some airplay;
The Guardian
described the remix every bit having “defined the decade” every bit an early on example of remix culture.[74]
Scottish band Speedway covered “A Stroke of Genius” (using the original title “Genie in a Bottle”) and released it as their debut single as a double A-side with another vocal, “Relieve Yourself”, on August 25, 2003.[75]
“Genie in a Bottle”/”Save Yourself” reached No. 10 on the United kingdom of great britain and northern ireland Singles Nautical chart.[76]

In 2008, Aguilera recorded a remake of “Genie in a Bottle” entitled “Genie two.0” for her outset greatest hits album,
Keeps Gettin’ Better: A Decade of Hits. “Genie 2.0” is an electropop-oriented song; a reviewer from
Rolling Stone
compared the vocal to works by Lady Gaga.[77]
The song was released via the iTunes Store in the United States to promote the album.[78]
Nick Butler of Sputnikmusic likened the vocal’s manner to that of The Eurythmics’southward “Sweetness Dreams (Are Made of This)” and chosen it “awesome”.[79]
To promote
Keeps Gettin’ Improve, Aguilera performed “Genie 2.0” at the 2008 MTV Video Music Awards.[lxxx]
The remake debuted at number 161 on the Great britain Singles Chart.[81]

In 2016, Pigeon Cameron covered “Genie in a Bottle” for the Disney Aqueduct short series
Descendants: Wicked World.[82]
The music video, directed by Jay Martin, has over 300 million plays on VEVO.[83]
[82]
Cameron’southward version was received with praise with MTV writer Jessica Norton saying, “Not only does the revived cover satisfy our dear of reliving the ’90s, it also introduces a whole new generation to the iconic popular track.”[82]
Cameron’s cover peaked at number eleven on
Billboard’s Bubbling Under Hot 100.[84]

Rail listings

[edit]

US CD and cassette single
[85]
[86]

  1. “Genie in a Canteen” – 3:36
  2. “Blessed” – iii:06

German maxi single
[87]

  1. “Genie in a Bottle” – 3:36
  2. “We’re a Miracle” – 4:09
  3. “Don’t Brand Me Dearest You” – 4:15

Personnel

[edit]

Credits are adapted from CD liner notes[88]

  • Songwriting – David Frank, Pam Sheyne, Steve Kipner
  • Producing, arranging – David Frank, Steve Kipner
  • Recording – David Frank, Steve Kipner
  • Mixing – Dave Way
  • Keyboards and drums – David Frank
  • Additional keyboards – Steve Kipner
  • Engineering – Paul Arnold, Ryan James Freeland

Charts

[edit]

Speedway version

[edit]

Dove Cameron version

[edit]

Certifications

[edit]

Release history

[edit]

References

[edit]


  1. ^



    Hispanic Today. Latino Globe Press. 2000.


  2. ^


    a




    b




    “42nd Annual Grammy Awards: List of Nominations”. CNN. Retrieved
    August 31,
    2021
    .



  3. ^


    “Portrait of an Creative person: Christina Aguilera”.
    Billboard. Vol. 112, no. 5. Nielsen Business Media. Jan 29, 2000. pp. vi–7.


  4. ^


    a




    b




    c



    Dominguez 2003, p. 35
    harvnb fault: no target: CITEREFDominguez2003 (help)


  5. ^

    Dominguez 2003, p. 39
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  6. ^

    Dominguez 2003, p. 42
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  7. ^

    Dominguez 2003, p. 43
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  8. ^

    Dominguez 2003, p. 46
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  9. ^

    Dominguez 2003, p. 51
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  10. ^


    a




    b



    Dominguez 2003, p. 53
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  11. ^


    a




    b




    c




    d




    due east




    f




    g



    Bronson 2003, p. 885
    harvnb mistake: no target: CITEREFBronson2003 (assistance)

  12. ^


    a




    b




    Hogan, Ed (August 22, 2011). “Christina Aguilera – Genie in a Bottle”.
    Digital Spy
    . Retrieved
    Baronial 22,
    2011
    .


  13. ^


    a




    b



    Dominguez 2003, p. 52
    harvnb error: no target: CITEREFDominguez2003 (assistance)

  14. ^


    a




    b




    c




    Frank, David (April 2000). “David Frank: Recording Christina Aguilera’s ‘Genie in a Bottle’“.
    Sound on Sound. SOS Publications Ltd. Retrieved
    June 27,
    2012
    .


  15. ^


    a




    b




    c




    d




    east




    f




    thou



    Dominguez 2003, p. 71
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  16. ^


    a




    b




    c




    d




    e



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    Radio & Records. No. 1298. May 7, 1999. p. 77. Retrieved
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  169. ^


    Film, Larry (July 24, 1999). “Aguilera’south Expanding Across ‘Genie’“.
    Billboard. Vol. 111, no. thirty. p. 12.
    So far, [‘Genie in a Bottle’] has sold 99,693 copies since its June 22 release…



  170. ^


    “Christina Aguilera – Genie in a canteen – CD maxi single” (in French). French republic: Fnac. August 30, 1999. Retrieved
    January one,
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  171. ^


    “New Releases – For Week Starting iv October, 1999: Singles”
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    Music Week. Oct 2, 1999. p. 27. Retrieved
    July 24,
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  172. ^


    “Christina Aguilera – Genie in a bottle – CD single” (in French). French republic: Fnac. Oct 12, 1999. Retrieved
    January 1,
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  173. ^


    “Christina Aguilera – Genie of a bottle – Maxi vinyle” (in French). France: Fnac. Nov ix, 1999. Retrieved
    January 1,
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Source: https://en.wikipedia.org/wiki/Genie_in_a_Bottle