Is Kung Fu Hustle On Netflix

2004 flick by Stephen Chow

Kung Fu Hustle

Mainland China release poster

Chinese

功夫

Mandarin Gōng Fū
Cantonese Gung1
Fui
Directed by Stephen Grub
Screenplay by
  • Stephen Chow
  • Huo Xin
  • Chan Man-keung
  • Tsang Kan-cheung
Story by Stephen Chow
Produced by
  • Stephen Chow
  • Po-Chu Chui
  • Jeffrey Lau
  • James Wang
Starring
  • Stephen Chow
  • Danny Chan
  • Yuen Wah
  • Yuen Qiu
  • Eva Huang
  • Leung Siu-lung
Cinematography Poon Hang-sang
Edited past Angie Lam
Music by Raymond Wong

Product
companies

  • Columbia Pictures Movie Production Asia
  • Star Overseas
  • Beijing Film Studio
  • Taihe Film Investment
  • Prc Picture show Group
  • Huayi Brothers
Distributed by Huayi Brothers (China)[i]

Columbia TriStar Movie Distributors International (International)[2]
[3]

Release dates

  • xiv September 2004 (2004-09-14)
    (TIFF)
  • 23 December 2004 (2004-12-23)
    (Hong Kong)

Running time

98 minutes[iv]
Countries
  • Hong Kong[three]
  • Cathay[three]
Languages Cantonese[4]

Mandarin
Budget $xx one thousand thousand[5]
Box role $104.9 meg[half-dozen]


Kung Fu Hustle

(Chinese:
功夫;
lit.
‘Kung Fu’) is a 2004 action-comedy film directed, produced, co-written by, and starring Stephen Chow. The film tells the story of a murderous neighbourhood gang, a poor village with unlikely heroes, and an aspiring gangster’s fierce journey to find his truthful self. Eva Huang, Yuen Wah, Yuen Qiu, Danny Chan Kwok-kwan and Leung Siu-lung co-starred in prominent roles. The martial arts choreography is supervised past Yuen Woo-ping.

Kung Fu Hustle
was a co-product between Hong Kong and Mainland Chinese companies, filmed in Shanghai. After the commercial success of
Shaolin Soccer, its production company, Star Overseas, began to develop the films with Columbia Pictures Asia in 2002. Information technology features a number of retired actors famous for 1970s Hong Kong action cinema and has been compared to contemporary and influential wuxia films such equally
Crouching Tiger, Hidden Dragon
and
Hero. The cartoon special effects in the film accompanied by traditional Chinese music, is often cited equally its about striking feature.

The film was released on 23 December 2004 in Prc and on 25 January 2005 in the United States. The film received positive reviews and grossed Us$17 million in North America and US$84 million in other regions. Information technology was tenth on the listing of highest-grossing foreign-linguistic communication films in the The states as well as the highest-grossing foreign-language film in the state in 2005.
Kung Fu Hustle
won numerous awards, including six Hong Kong Moving picture Awards and v Aureate Horse Awards. The moving picture was re-released in 3D in October 2014 beyond Asia and America, marking the tenth ceremony of the film.

Plot

[edit]

In 1940s Shanghai, petty crooks Sing and Bone aspire to join the notorious Axe Gang nether the leadership of the cold-blooded killer Blood brother Sum. The pair visit a rundown slum known as Squealer Sty Alley to extort the residents by pretending to be Axe Gang members. Sing throws a firecracker that he claims will bespeak the rest of the Axe Gang, just his bluff backfires when the firecracker explodes next to a real Axe Gang underboss. Sing blames the residents for throwing the firecracker and the boss attacks them, just he is struck and killed past an unseen assailant. Gang reinforcements arrive but they are all rapidly dealt with by three of the slum’s tenants: Coolie, Tailor, and Donut, who reveal they are actually kung fu masters. However, fearing the Axe Gang’s retaliation, the slum’southward Landlady evicts the trio.

Brother Sum captures Sing and Os, intending to kill them for posing as gang members. Yet, Sing uses his exceptional lock-picking skills to costless himself and Bone before they are killed by thrown axes. The impressed Blood brother Sum allows them to join the gang on the condition that they kill someone. Sing laments being a failure in life. He recalls his childhood to Bone when he was tricked past a vagrant into ownership a martial arts pamphlet with his meager saving because he was duped into thinking he was a natural-built-in kung fu master. Afterward practising the pamphlet’s Buddhist Palm technique many times, Sing attempted to salvage a mute girl named Fong from bullies but was instead beaten and humiliated. Sing becomes adamant that heroes never win and resolves to be a villain.

Sing and Bone return to Pig Sty Alley to kill the Landlady. However, their plan backfires as Sing is repeatedly stabbed past his and Os’s missed knife throws. He retreats to a traffic pulpit where his torso chop-chop heals from his deadly injuries. The hurting causes him to strike the sides of the metal pulpit, roofing the surface with hand-shaped impressions. Meanwhile Brother Sum hires two Harpists that utilize a magical guzheng to kill their victims with sound. The assassins go far at Hog Sty Alley simply as the trio of kung fu masters are leaving. The Harpists kill Coolie and defeat Donut and Tailor with their magical instrument; however, they are defeated afterwards past the Landlady and her husband the Landlord, who are revealed to be kung fu masters likewise. The Landlady then warns Brother Sum, who watched the fight with his adviser, to stay away from Pig Sty Alley.

A frustrated Sing attempts to rob an water ice cream vendor but discovers that she is actually Fong. When she recognises him and offers him a lollipop, he smashes it and leaves in shame; he also rebuffs Bone. Brother Sum offers Sing immediate gang membership if he uses his lock-picking skills to gratuitous the Beast, a legendary kung fu assassin from a Shanghai mental asylum. Sing brings the Beast back to the Axe Gang’southward headquarters.

Blood brother Sum is sceptical of the Beast’s skills due to his flippant attitude and sloppy appearance. However, the Beast proves his kung fu prowess past stopping a bullet midair with his fingers. When the Brute detects the kung fu presence of the Landlady and Landlord, he destroys the casino next door to face up the couple. A fight breaks out between the three and culminates in all of them beingness immobilised in an inter-articulation lock. Brother Sum orders Sing to attack the Landlady and Landlord to help the Beast, but Sing has a modify of heart and attacks the Beast instead. Infuriated, the Beast smashes Sing’s head into the basis, but he is saved by the Landlady and Landlord. The trio flee and Brother Sum berates the Animal for letting them escape; the Animate being kills Brother Sum in response.

Dorsum at Sus scrofa Sty Alley, the Landlady and Landlord treat Sing and are surprised by his quick recovery from his fatal injuries. Sing then treats the couple’s wounds in return earlier confronting the Axe Gang. The Landlady deduces that the Beast’s chirapsia of Sing has realigned Sing’due south
qi, metamorphosing him into a natural kung fu master. The new Sing effortlessly dispatches the Axe Gang before fighting the Animate being, who initially appears to have the upper hand due to his “toad style”. All the same, when Sing is sent flight into the sky by the Beast, he has a vision of Buddha in the clouds and completes his transformation. Sing uses the Buddhist Palm technique to defeat the Beast. Awestruck by Sing’s power and prowess, the Creature tearfully bows to Sing and concedes defeat.

Sing and Os open up a candy store with Fong’s lollipop as their logo. Fong visits Sing at his shop, and the pair embrace. Meanwhile the same mysterious vagrant who sold Sing the martial arts pamphlet speaks to another child only outside the shop, but this time he is selling multiple pamphlets teaching several different styles.

Cast

[edit]

  • Stephen Chow equally Sing, a loser in life who joins the Axe Gang only soon finds a college calling. He specialises in the Fut Gar Buddhist Palm technique. After the Creature beats Sing to the brink of expiry, Sing “resets his qi catamenia”, releasing the natural-born kung fu master inside.
  • Danny Chan Kwok-kwan as Brother Sum, the ruthless leader of the Axe Gang. Under his leadership, the Axe Gang wipes out all the other gangs of China.
  • Yuen Qiu as the Landlady of Pigsty Alley. She is a principal of the Lama Pai Lion’s Roar technique. She has a sonic scream that tin pierce through anything.
  • Yuen Wah as the Landlord of Pigsty Alley. He is a master of kung fu specializing in Tai Chi. He is flexible and able to hover in midair.
  • Leung Siu-lung every bit the Fauna, an old but incredibly potent kung fu master. He is rumoured to exist the most dangerous person alive, though his skill is disguised by his unkempt appearance. He is a master of the Toad Manner from the Kwan Lun Schoolhouse. He can act as a toad including super-leaps and headbutt a person with immense strength.
  • Xing Yu as Coolie, a Kung Fu specialist of the Tan Tui Twelve Kicks technique from the Tam School. He has incredibly fast legs and tin can sense when an opponent is budgeted.
  • Chiu Chi-ling every bit the Tailor of Hole Aisle. He specialises in the Hung Ga Atomic number 26 Wire Fist technique and fights with iron rings on his artillery.
  • Dong Zhihua as Donut, a baker in Pigsty Alley. He specialises in the Eight Trigram Staff. He is a primary of using staves and spears in battle.
  • Lam Chi-chung as Bone, Sing’s obese sidekick who tends to follow Sing around.
  • Eva Huang as Fong, Sing’s mute love interest and childhood associate. Sing saved her from bullies when she was young.
  • Tin Kai-man every bit Blood brother Sum’due south adviser. He takes over as the head of the Axe Gang after Brother Sum is killed.
  • Gar Hong-hay and Fung Hak-on as the Harpists, two assassins hired past the Axe Gang who kill their victims with a magical guzheng, or “Chinese harp”.
  • Lam Suet and Liang Hsiao as high-ranking members of the Axe Gang.
  • Yuen Cheung-yan as the Ragamuffin, the man who sold Sing the Buddha’southward Palm manual. He is a fraud who tricks kids to brand money for himself. Yuen is the brother of Yuen Woo-ping, the film’due south fight choreographer.
  • Feng Xiaogang equally the leader of the Crocodile Gang. He is killed by the Axe Gang at the commencement of the flick. He was the concluding gang leader to be killed past Brother Sum.

Background

[edit]

The climate of the pic industry and the expectation of a 21st-century action film were different throughout the history of Chinese cinema. However, this difference provides one of the reasons why Kung Fu Hustle was and then well received.

Kung Fu Hustle
responded to and amplified a global demand for the reawakening of martial arts cinema—and one which was fulfilled past a multitude of reiterations of the genre, all of which tin can exist said, without a incertitude, fulfilled the criteria for 21st-century action movie theater: high budget, stylish, and action-packed.[vii]

Directors and their contemporaries inverse the martial arts cinema together to gain more universal appeal.[seven]
The work has congenital martial arts every bit a viable mode of behavioural expression in the motion picture, and besides displayed how martial arts could be transformed in the cinema industry to reflect both “gimmicky local issues and the increasingly important reality of globalization.”[7]
Dissimilar Ang Lee’s
wuxia
pic,
Crouching Tiger, Hidden Dragon, Stephen Chow chose to employ the perspective of a lowly gangster to break into Wuxia and Jianghu. Kung Fu does non succeed because information technology is then localised. Quite the opposite, Kung Fu Hustle embodies a complex transnationalism.[eight]

While martial arts began a new moving ridge in Chinese cinema, Stephen Chow and other directors were responsible for the creation of another subset of martial arts movie theater, which included the vampire genre. Stephen Chow combined elements such as undead, Taoism, kung fu, as well equally comedy into his movies, which helped create a one-act-horror feel that was distinct to Hong Kong.[7]
The beginning of martial arts movies has paved the future for both local and international directors. They started to acquire and adopt martial arts to fulfill and satisfy their own demands, afterward the trend became a transnational market.[7]

Different from traditional Chinese wuxia movie theater, Chow’s new kung fu movies assistance with reflecting the extent to force the of globalisation within the entertainment industry, which later influenced the local construction of self-identity.[7]

Production

[edit]

Development

[edit]

An early sketch of the Pigsty Alley

Kung Fu Hustle
is a co-production of the Beijing Picture show Studio and Hong Kong’s Star Overseas.[ix]
After the success of his 2001 motion-picture show,
Shaolin Soccer, Grub was approached in 2002 by Columbia Pictures Film Product Asia, offering to collaborate with him on a project. Chow accepted the offer, and the project eventually became
Kung Fu Hustle.[10]
Kung Fu Hustle
was produced with a upkeep of US$xx million.[11]

Chow was inspired to create the moving picture by the martial arts films he watched as a child and by his childhood ambition to become a martial creative person.[12]
A senior Hollywood executive said Chow was “forced to grind through 4 successive scripts” and “constitute it very laborious”.[thirteen]

Chow’s first priority was to pattern the principal location of the film, “Pigsty Alley”. Later on in an interview Chow remarked that he had created the location from his childhood, basing the design on the crowded apartment complexes of Hong Kong where he had lived.[14]
[15]
The 1973 Shaw Brothers Studio motion picture,
The House of 72 Tenants, was another inspiration for Pigsty Alley.[sixteen]
Designing the Alley began in January 2003 and took iv months to consummate. Many of the props and furniture in the apartments were antiques from all over China.[17]

Casting

[edit]

Kung Fu Hustle
features several prolific Hong Kong action cinema actors from the 1970s. Yuen Wah, a erstwhile student of the China Drama Academy Peking Opera School who appeared in over a hundred Hong Kong films and was a stunt double for Bruce Lee, played the Landlord of Pigsty Alley. Wah considered starring in
Kung Fu Hustle
to be the peak of his career. In spite of the film’south success, he worried that nowadays fewer people practice martial arts.[eighteen]

Auditions for the role of the Landlady began in March 2003. Yuen Qiu, who did non audition, was spotted during her friend’s screen test smoking a cigarette with a sarcastic expression on her face, which won her the part. Qiu, a student of Yu Jim-yuen,
sifu
of the China Drama University, had appeared in the 1974 James Bond motion picture
The Man with the Gilt Gun
at the historic period of 18.[20]
After a number of other pocket-size roles, she retired from films in the 1980s.
Kung Fu Hustle
was her first role in xix years. Qiu, in order to fulfill Chow’s vision for the role, gained weight for the part past eating midnight snacks every twenty-four hours.[twenty]

Bruce Leung, who played the Beast, was Stephen Grub’southward babyhood martial arts hero.[fifteen]
Leung Siu Lung was a famous action film director and actor in the 1970s and 1980s, known as the “3rd Dragon” after Bruce Lee and Jackie Chan. Afterwards becoming unpopular in the Taiwanese film marketplace in the late 1980s following a visit to Prc, he switched to a career in business organization.
Kung Fu Hustle
was his return to the flick industry afterwards a fifteen-year hiatus. He regarded Grub as a flexible director with high standards, and was particularly impressed by the first scene involving the Beast, which had to exist reshot 28 times.[21]

In addition to famous martial artists,
Kung Fu Hustle
features legends of Chinese cinema. Two famous Chinese directors announced in the film: Zhang Yibai, who plays Inspector Chan at the commencement of the film, and Feng Xiaogang, who plays the dominate of the Crocodile Gang.[22]

In casting Sing’s love interest Fong, Chow stated that he wanted an innocent looking girl for the function. Television set actress Eva Huang, in her moving picture debut, was chosen from over 8,000 women. When asked nigh his decision in casting her, Grub said that he “simply had a feeling near her” and that he enjoyed working with new actors. She chose to take no dialogue in the moving-picture show so that she could stand out only with her body gestures.[23]

Filming

[edit]

CGI structure of the Buddhist Palm

Filming took place in Shanghai from June 2003 to November 2003.[24]
Ii-thirds of the time was spent shooting the fight sequences.[12]
Those scenes were initially choreographed past Sammo Hung, who quit later on 2 months due to illness, tough outdoor conditions, interest in another project and arguments with the production crew.[25]
Hung was replaced by Yuen Woo-ping, an action choreographer with experience ranging from 1960s Hong Kong action movie theater to more than recent films like
Crouching Tiger, Hidden Dragon
and
The Matrix. Yuen promptly accustomed the offer.[10]
Yuen drew on seemingly outdated wuxia fighting styles like the Deadly Tune and Buddhist Palm.[26]
He remarked that despite the comedic nature of the film, the shooting process was a serious matter due to the tight schedule.[18]

Most of the special effects in the picture show, created by Hong Kong reckoner graphics company Centro Digital Pictures Limited, which had previously worked on films such as
Shaolin Soccer
and
Kill Bill, included a combination of computer-generated imagery and wire piece of work. Centro Digital performed extensive tests on CGI scenes before filming started, and treatment of the preliminary shots began immediately afterwards. The CGI crew edited out wire effects and practical special effects in high resolution. Legendary martial arts mentioned in wuxia novels were depicted and exaggerated through CGI, just actual people were used for the terminal fight between Chow’southward character and hundreds of axe-wielding gangsters.[9]
After a final calibration of color, data of the candy scenes was sent to the Us for the product of the final version. A group of six people followed the production coiffure throughout the shooting.[24]

Music

[edit]

The majority of the film’due south original score was composed by Raymond Wong and performed by the Hong Kong Chinese Orchestra.[27]
The score imitates traditional Chinese music used in 1940s swordplay films.[28]
One of Wong’due south works,
Goose egg Ventured, Nil Gained, provides a stark contrast between the villainous Axe Gang and the peaceful neighbourhood of Pigsty Alley, depicted by a Chinese folk song,
Fisherman’s Song of the Due east China Sea.[22]
Forth with Wong’s compositions and various traditional Chinese songs, classical compositions are featured in the score, including excerpts from
Zigeunerweisen
by Pablo de Sarasate and
Sabre Dance
by Aram Khachaturian.[29]
The song,
Zhiyao Weini Huo Yitian
(
只要為你活一天
;
Only Want to Live One Day for You), is sung in the background by Eva Huang at the end of the film. Written past Liu Chia-chang in the 1970s, it tells of a girl’southward memories of a loved i, and her desire to live for him again.[30]
Kung Fu Hustle
was nominated for All-time Original Picture show Score at the 24th Hong Kong Film Awards.[31]

Asian and American versions of the soundtrack were released. The Asian version of the soundtrack was released on 17 December 2004 by Sony Music Entertainment and has 33 tracks.[32]
The American version of the soundtrack was released on 29 March 2005 by Varèse Sarabande and has 19 tracks, with 14 tracks missing compared to the Asian release.[33]

The soundtrack for the trailer was mastered at Epiphany Music and Recording, Inc. in Santa Rosa, California.

References to other works

[edit]

Kung Fu Hustle
makes references to a wide range of films, animated cartoons, wuxia novels, anime and other sources. The housing arrangement of the Hole Aisle is similar to that of a 1973 Hong Kong film,
The Firm of 72 Tenants. It is set in a Shanghai Shantytown taking Hong Kong viewers back to their days of hardship but also making the audience in mainland China interested in, equally Ho pointed out, “Chow appropriates Hong Kong’s past to address China’s electric current anxieties over rapid modernization and secures the former colony’s bond with its semi-reunited motherland-in both emotional and film business organisation terms”.[34]
There are two references to Grub’due south previous film,
Shaolin Soccer: When Sing arrives at Pigsty Alley, he plays skilfully with a soccer ball, and then says, “You’re even so playing football?”. The second reference is the scene in which a clerk beats Sing up on a motorbus. The clerk also appeared in
Shaolin Soccer
equally the leader of an opposing squad who used subconscious weapons to vanquish up the Shaolin soccer team. When Sing challenges a male child in the Pigsty Alley, Sing calls him “The Karate Kid”, a reference to the 1984 film of the same name. During the altercation between Sing and the hairdresser, the barber states, “Even if you lot impale me, there will be thousands more of me!”. This is a reference to a famous quote made by Lu Haodong, a Chinese revolutionary in the tardily Qing dynasty.[35]
The scene in which Sing is chased past the Landlady as he flees from the Alley is a homage to Wile E. Coyote and the Road Runner, characters in the
Looney Tunes
cartoons, even including the pursuer’s (the Landlady’s) sick fate. During the opening scene in which the leader of the Crocodile Gang is killed by Blood brother Sum of the Axe Gang, in the background a poster for the 1939 film
Le Jour Se Lève
is visible. In the scene in which Sing robs the water ice cream vendor, a poster for the 1935 film
Top Lid
is in the background. Every bit Sing arrives at the door to the Beast’s cell in the mental aviary, he hallucinates a large wave of blood rushing from the jail cell door, similar to a scene in
The Shining.[36]
The Landlady says at i point, “Tomorrow is another day”, which is a line from the 1936 novel
Gone with the Wind
and its 1939 picture adaptation.

A major element of the plot is based on the wuxia motion picture series
Palm of Ru Lai
(
如來神掌
), released in 1964.[37]
Sing studied the fighting fashion used in
Palm of Ru Lai
(“Buddhist Palm style”), from a young age and used it at the end of
Kung Fu Hustle. In reality, the Buddhist Palm fighting style does not get out palm-shaped craters and holes on impact. Instead, the user delivers powerful punches using his palm. The Fauna’s name in Chinese,
Huoyun Xieshen
(
火雲邪神
; Evil Deity of the Peppery Cloud), and the fight with the Landlady and her married man are also references to the
Palm of Ru Lai, in which a mortally wounded master strikes the patterns of his art’s concluding techniques into a bell and then that his amateur tin learn from it.[38]
Kung Fu Hustle
also contains direct references to characters from Louis Cha’s wuxia novels. For example, the landlord and landlady refer to themselves as Yang Guo and Xiaolongnü, the names of characters in Cha’south
The Render of the Condor Heroes, when they met the Beast.[39]

References to gangster films are too present. Many fight scenes and superhuman power displayed by Kung Fu Masters in the film are reminiscent of Dragon Ball Z and similar anime. The boss of the Axe Gang, Blood brother Sum (
琛哥
) is named after Hon Sam / Hon Sum (
韓琛
), the triad boss played by Eric Tsang in
Infernal Affairs.[xl]
The Harpists imitate
The Blues Brothers, wearing similar hats and sunglasses at all times.[41]
When they are flattered by the Axe Gang counselor, ane of them answers, “Strictly speaking nosotros’re just musicians”, similar to a line by Elwood Blues.[42]

When Donut dies, he says, “In great power lies nifty responsibility”, a reference to 2002’southward
Spider-Man, said by Uncle Ben before his death.[35]
Additionally, in that scene, the Landlady says, “Like Donut said, anybody has his reasons”, a reference to Jean Renoir’south 1939 movie
The Rules of the Game.[43]
Afterwards, with his dying jiff, Donut gets upwards, grabs the Landlord past the shirt and utters in English language, “What are you lot prepared to practise?”, a nod to Sean Connery’s character Jim Malone in Brian De Palma’s 1987 film
The Untouchables.
[44]
[45]

The dialogue that the Fauna says while negotiating with the Axe Gang for killing the Landlady and Landlord—”…then young friend, I volition make an offer y’all cannot turn down”, is a reference of the dialogue from the moving picture
The Godfather.[44]
As well, the Landlady’s comment to Brother Sum—”Nosotros brought a gift y’all cannot refuse” is an obvious parody of the aforementioned, to which Sum replies (in the dubbed version of the picture show), “Ha! With the Animate being on our side, we shall come across for whom the bell tolls”, a reference to the 1943 motion picture.[46]

The terminal fight between Sing (who has been reborn into “the 1”, which pays homage to Bruce Lee by wearing his costume in
Enter the Dragon
and using his fighting fashion) and the hundreds of gangsters imitates the fight betwixt Neo and hundreds of Amanuensis Smiths in
The Matrix Reloaded.[9]
[35]
The scene in which the Beast prompts an Axe fellow member to punch him harder is reminiscent of a similar scene in
Raging Bull, with Robert De Niro’s character prompting Joe Pesci’due south character.[44]

The last scene, in which the ragamuffin tries to sell martial arts manuals, refers straight to the greatest skills in Louis Cha’s
Condor Trilogy
(Ix Yang Manual, “Yiyang Finger”, and “Eighteen Dragon Subduing Palms”), “Chiliad Hand Divine Fist”, and
The Smiling, Proud Wanderer
(“Nine Swords of Dugu”). The scene in which the landlady confronts Brother Sum in the dorsum of his car is a homage to Bruce Lee in
Mode of the Dragon, where she cracks her knuckles and gives a quick upper nod to the mafia dominate, telling him to back off.[47]

Releases

[edit]

Kung Fu Hustle
premiered at the 2004 Toronto International Film Festival.[48]
It was later released across East Asia including China, Hong Kong and Malaysia in December 2004.[49]
The pic was commencement shown in the Usa at the Sundance Film Festival in January 2005,[50]
and so opened in a general release on 22 April 2005 after existence shown in Los Angeles and New York for 2 weeks.[51]

The North American DVD release was on 8 August 2005.[52]
A Blu-ray version of the DVD was released on 12 December 2006 by Sony Pictures. A UMD version of the pic was released for the PlayStation Portable.[53]
The United States DVD releases were censored, cut a number of scenes that featured lots of blood or human being excrement. A later on release, chosen “The Boot-Axe Edition”, restored these scenes.[54]
[55]

In the United Kingdom the standard DVD was released 24 Oct 2005, the aforementioned mean solar day a special edition was released with collector’s items, which included playing cards, a keyring, a sweat ring, and an inflatable axe.[56]
[57]
On 8 Apr 2007, Sony Pictures Home Entertainment released a Blu-ray version.[58]

The Portuguese championship of the film is
Kungfusão, which sounds similar Kung Fu and
Confusão
(confusion).[59]
In the same way as
Kungfusão, the Italian and Spanish titles were
Kung-fusion
and
Kung-fusión, puns of “defoliation”.[60]
[61]
In French republic, the moving picture is known as
Crazy Kung Fu, and the Hungarian title is
A Pofonok Földje, meaning
The Country of Punches.[62]
[63]

In Korea a Limited Collector’s Edition DVD was released which included a leather wallet, Stephen Chow’s Palm Figure with his signature, a photo album and Special Kung Fu’s Booklet with a certificate of authenticity.[64]

Reception

[edit]

On Rotten Tomatoes, the motion picture received a 90% approval rating based on 182 reviews and an average rating of 7.7/10. The site’southward critical consensus reads: “Kung Fu Hustle
blends special effects, martial arts, and the Looney Toons to hilarious effect.”[52]
On Metacritic, the pic received a score of 78 out of 100 based on 38 critics, indicating “more often than not favorable reviews.”[65]

Hong Kong director and film critic Gabriel Wong praised the motion-picture show for its black comedy, special effects and nostalgia, citing the render of many retired kung fu actors from the 1970s.[66]
Film critic Roger Ebert’s description of the film (“like Jackie Chan and Buster Keaton meet Quentin Tarantino and Bugs Bunny”) was printed on the promotion posters for the moving-picture show in the Usa.[67]
[68]
Other critics described information technology as a comedic version of
Crouching Tiger, Subconscious Dragon.[69]
Positive reviews generally gave credit to the elements of mo lei tau comedy present in the moving-picture show.[seventy]
A number of reviewers viewed information technology as a computer-enhanced Looney Tunes punch-upward.[52]
[71]
In a 2010 interview, actor Pecker Murray called
Kung Fu Hustle
“the supreme achievement of the modern age in terms of one-act”.[72]
In 2021, American filmmaker James Gunn chosen information technology “the greatest film e’er made”.[73]

The combination of the necessary cynicism and sentential nostalgia which makes the audience laugh implies that a world of homo complexity is beneath the interesting deceptive surface.[34]

Much of the criticism for the movie was directed at its lack of character development and a coherent plot.
Las Vegas Weekly, for instance, criticised the flick for not having enough of a central protagonist and grapheme depth.[74]
Criticism was also directed towards the film’s cartoonish and childish sense of humour.[75]
However, information technology was considered reasonable, as the
Kung Fu Hustle
production team chose to brand the film’due south characters largely one-dimensional. In the picture show, the directors “attempt(ed) to appeal to a transnational audience, affirms distinctly Western notions of Chinese that many earlier Kung Fu films fix out to subvert.”[7]
The
Kung Fu Hustle
team attempt to appeal to a more progressive generation throughout the history of Chinese cinema. Earlier in the kung fu film manufacture, it usually involved complex characters, and besides tried to explore and expose constructs ranging from gender to race also as to nation.[7]
Ane-dimension is the fundamental feature of
Kung Fu Hustle, every bit it is rooted in a filmic genre that continued with Hong Kong identity, but also represented the Western imagination of China’s past and Kung Fu heroism.[7]

Box office

[edit]

Kung Fu Hustle
opened in Hong Kong on 23 December 2004, and earned HK$4,990,000 on its opening day. It stayed at the top of the box office for the rest of 2004 and for much of early 2005, eventually grossing HK$61.27 million. Its box office tally fabricated it the highest-grossing film in Hong Kong history,[76]
until it was browbeaten by
You Are the Apple of My Eye
in 2011.[76]
The phenomenal box part this work generated too equally the collective pleasure its local audience experienced potentially saved the Hong Kong pic industry during a politically unstable time in the territory.[34]

Sony Pictures Classics opened
Kung Fu Hustle
in limited theatrical release in New York Urban center and Los Angeles on 8 April 2005 before being widely released beyond Northward America on 22 April. In its outset week of limited release in seven cinemas, information technology grossed Usa$269,225 (US$38,461 per screen).[77]
When it was expanded to a wide release in 2,503 cinemas, the largest number of cinemas ever for a foreign language motion picture, it made a modest US$6,749,572 (US$two,696 per screen), eventually grossing a full of US$17,108,591 in 129 days. In full,
Kung Fu Hustle
had a worldwide gross of US$101,104,669.[78]
While not a blockbuster,
Kung Fu Hustle
managed to get the highest-grossing strange-language moving-picture show in N America in 2005[79]
and went on to generate more than US$thirty,000,000 in the United States home video market.[80]

Accolades

[edit]

The film was nominated for sixteen Hong Kong Moving picture Awards, out of which winning All-time Picture, Best Activity Choreography, Best Film Editing, Best Sound Effects, Best Supporting Actor and Best Visual Effects.[81]
V more awards were afterwards picked up at the Golden Horse Awards including an award for Best Director for Stephen Chow.[82]
In the Us
Kung Fu Hustle
was well received by various motion-picture show critic associations winning awards for All-time Foreign Language Film from Boston-, Chicago-, Las Vegas- and Phoenix-based critics.[83]
it was later nominated for 6 Satellite Awards[84]
and 1 MTV Movie Honour for best fight scene.[85]
In the Britain at 59th British Academy Motion-picture show Awards the moving picture was nominated for a BAFTA.[86]

In 2011, the Taipei Golden Equus caballus Film Festival listed
Kung Fu Hustle
at number 48 in their list of “100 Greatest Chinese-Language Films”.[87]
The majority of the voters originated from Taiwan, and included film scholars, festival programmers, film directors, actors and producers.[87]
In 2014,
Time Out
polled several film critics, directors, actors and stunt actors to list their top action films.[88]
Kung Fu Hustle
was listed at 50th place on this list.[89]

Award / Picture Festival Category Recipient(s) Issue
Amsterdam Fantastic Film Festival[90] Stephen Grub Won
BAFTA Awards[86] All-time Picture not in the English language Language Stephen Grub

Bo-Chu Chui
Jeffrey Lau
Nominated
Boston Guild of Pic Critics Awards[91] Best Strange Linguistic communication Moving-picture show Won
Circulate Movie Critics Association Awards[83] Best Foreign-Language Film Won
Chicago Film Critics Clan Awards[83] Best Foreign Language Film Nominated
Florida Moving picture Critics Circle Awards[92] Best Foreign Flick Won
Golden Globe Award (USA)[93] Best Foreign Language Motion picture Nominated
Golden Horse Awards[82] Best Director Stephen Grub Won
Best Film Won
All-time Make Up & Costume Design Shirley Chan Won
Best Supporting Actress Qiu Yuen Won
Best Visual Result Frankie Chung

Don Ma Tam

Kai Kwan

Hung Franco
Won
Best Activity Choreography Woo-ping Yuen Nominated
All-time Art Management Oliver Wong Nominated
All-time Editing Angie Lam Nominated
Best Sound Effects Steve Burgess

Steven Ticknor

Robert Mackenzie
Paul Pirola
Nominated
Best Supporting Actor Wah Yuen Nominated
Gilt Trailer Awards[94] All-time Strange (Winston Davis & Assembly). Nominated
Hong Kong Motion picture Awards[81] Best Action Choreography Woo-ping Yuen Won
Best Film Editing Angie Lam Won
Best Moving picture Won
Best Audio Furnishings Steven

Ticknor

Steve Burgess

Robert Mackenzie
Paul Pirola
Won
Best Supporting Thespian Wah Yuen Won
Best Visual Effects Frankie Chung Ma
Wing-On Tam
Kai-Kwun Hung
Lau-Leung
Won
Best Actor Stephen Chow Nominated
Best Actress Qiu Yuen Nominated
Best Art Direction Oliver Wong Nominated
All-time Cinematography Hang-Sang Poon Nominated
Best Costume Design and Make Up Shirley Chan Nominated
All-time Manager Stephen Chow Nominated
Best New Artist Shengyi Huang Nominated
All-time Original Pic Score Ying-Wah Wong Nominated
Best Screenplay Stephen Chow

Kan-Cheung Tsang

KXin Huo

KMan Keung Chan
Nominated
Best Supporting Actor Kwok-Kwan Chan Nominated
Hong Kong Movie Critics Gild Awards[95] Film of Merit Won
Hundred Flowers Awards[96] All-time Supporting Actress Qiu Yuen Won
Best Player Stephen Chow Nominated
Best Director Stephen Chow Nominated
Best Film Nominated
Best Newcomer Shengyi Huang Nominated
All-time Supporting Actor Wah Yuen Nominated
Las Vegas Moving picture Critics Social club Awards[83] Best Strange Film Won
MTV Moving-picture show Awards[85] Best Fight Nominated
Motion Picture Sound Editors (USA)[
citation needed
]
Best Sound Editing in Feature Film – Foreign Steve Burgess (supervising sound editor)

Chris Goodes (audio editor)
Vic Kaspar (sound editor)

Jo Mion (sound editor)

Andrew Neil (sound editor)

Paul Pirola (sound design)

Steven Ticknor (sound blueprint)

Mario Vaccaro (foley artist)

Nominated
Online Motion picture Critics Social club Awards[97] All-time Foreign Language Film Nominated
Phoenix Moving-picture show Critics Society Awards[83] All-time Foreign Language Film Stephen Grub Won
Satellite Awards[84] Outstanding Extra in a Supporting Role, Comedy or Musical Qiu Yuen Nominated
Outstanding Cinematography Hang-Sang Poon Nominated
Outstanding Film Editing Angie Lam Nominated
Outstanding Moving picture, Comedy or Musical Nominated
Outstanding Audio (Mixing & Editing) Paul Pirola Nominated
Outstanding Visual Furnishings Frankie Chung Nominated
Shanghai Motion-picture show Critics Awards[98] Top ten Films Won
Southeastern Picture show Critics Association Awards[99] All-time Foreign Linguistic communication Film China/Hong Kong. Nominated
(Runner-upwards)

Sequel

[edit]

In 2005, Chow announced that there would be a sequel to
Kung Fu Hustle, although he had not settled on a female pb. “In that location volition exist a lot of new characters in the flick. We’ll need a lot of new actors. It’s possible that nosotros’ll await for people abroad besides casting locals”.[100]
In January 2013, during an interview, Chow admitted that plans for making
Kung Fu Hustle 2
have been put on hold. “I was indeed in the midst of making the moving-picture show, but information technology is currently put on concord in view of other incoming projects”.[101]
Production of
Kung Fu Hustle two
was delayed while Chow filmed the scientific discipline fiction gamble moving-picture show
CJ7. As a result,
Kung Fu Hustle 2
was slated for a 2014 release.[102]
By 2017, Grub had already completed
The Mermaid
and
Journey to the W: The Demons Strike Dorsum. Due to his focus on behind-the-scenes production and the fact that he has not made an appearance since
CJ7, information technology was suspected that he had stopped acting. All the same, Chow antiseptic that he still wants to human activity, simply has not found a role suited for him.
Kung Fu Hustle 2
remains incomplete.[103]
In February 2019, during a promo interview for
The New King of Comedy, Stephen confirmed that the sequel is in the works. He will direct the movie and peradventure cameo in the moving-picture show, but the story will non exist a direct sequel to the beginning one. Chow explains the sequel will exist a spiritual successor to the first one, but set in modern times.[104]

Games

[edit]

Online and mobile games

[edit]

In 2004 a promotional flash game was released past Sony Pictures Entertainment on their Japanese website.[105]
The game was created past Japanese game developer
Point Zero
and plays as a betoken-and-click beat ’em up.[106]
A side-scrolling game designed for mobile phones was later released in 2006 by programmer
Tracebit.[107]

MMO

[edit]

In 2007 Sony Online Entertainment announced that a massively multiplayer online 2D side-scrolling fighter game based on the moving-picture show was nether development for the Chinese market place. 2 years later a preview of the game was featured at E3 where it received mixed reviews from critics with many comparison it to similar MMO games such every bit
Guild Wars
and
Phantasy Star Online.[108]

A N American release for PC and PS3 was planned for late 2009,[108]
only never came to fruition. The game was only available in Asia for the PC.[109]

See besides

[edit]

  • Movie theater of Hong Kong
  • Movie theater of China
  • Kung Fu Panda
    (motion picture) — A 2008 Hollywood film inspired past
    Kung Fu Hustle.
  • Chandni Chowk to People’s republic of china
    — A 2009 Bollywood film inspired past
    Kung Fu Hustle.[110]
  • Everything Everywhere All at Once
    — A 2022 Hollywood flick inspired by
    Kung Fu Hustle.
  • Listing of films featuring the deafened and difficult of hearing

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External links

[edit]


  • Official website
  • Kung Fu Hustle
    at IMDb
  • Kung Fu Hustle
    at LoveHKFilm.com
  • Kung Fu Hustle
    at AllMovie
  • The Six Degrees of Stephen Chow and
    Kung Fu Hustle



Source: https://en.wikipedia.org/wiki/Kung_Fu_Hustle