I wouldn’t be surprised if we, as human beings, are fatigued towards morbid subjects of suicide and cocky-destruction. Cinema often comes off equally catharsis during these times, gratifying our morbid fetishes. Suicide is a frighteningly complex subject field affair that has piqued the involvement of countless scholars, theorists and philosophers across the world. The emotional and psychological extremes that push a human being being to the darkest corners have often been the subject of selection for many filmmakers.
Suicidal tendencies could be born out of severe depression, fearfulness or sometimes, the inability to confront the mundane. The incomprehensible convolutions of life frequently drive a human beingness onto the flailing edges of insanity and mortality. And it’south not surprising that during my enquiry for this commodity I’ve come across a great deal of overlooked movies that have on the themes of suicide, low and isolation. But just and then to limit the number of movies, here is the list of top films ever that bargain with suicides. You can watch some of these best suicide movies on Hulu, or Amazon Prime number.
10. Mishima: A Life in Iv Capacity (1985)
The nifty Paul Schrader’s intriguing examination of Yukio Mishima, the controversial author-militarist of the postal service war era who infamously committed a ritual suicide is ane of the most underrated movies ever made. Schrader peels off the man behind Mishima and dissects the events of his life in a highly stylized drama using a complex narrative that unravels beautifully with pristine clarity and coherence. The motion-picture show keeps a certain distance from its central graphic symbol and abstains from a judgmental approach while being unflinchingly honest almost its subject and themes that raises questions on materialism, extremism, cult and suicide. The bully Roger Ebert added the motion picture to his list of “Great Movies”, calling the film “a triumph of concise writing and construction.”
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9. Ordinary People (1980)
Don’t get me incorrect on this just Robert Redford‘s classic debut is much more than merely about suicide. The film is an emotionally draining feel that deals with human loss, grief and recovery. ‘Ordinary People’ depicts the disintegration of an upper-center course family following the tragic death of one of their sons in a canoeing accident. Grief, inexplicable sorrow, fear, lack of communication and emotional seclusion are lurking effectually the characters, driving them on to the verges of extremities as we run across them drifting apart and leaping into the pits of psychological meltdown.
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8. Heathers (1988)
A startlingly funny take on teen suicide, ‘Heathers’ created ripples among the teen rebels of its generation and is hailed as one of the greatest teenage comedies ever made. The pic explores the malaise of a teenage girl, Veronica, who in order to go out of the bossy clique that is destroying her skillful-girl reputation teams up with a sociopath in guild to kill the “absurd” kids. The moving-picture show hovers around the themes of teen suicide and brutally mocks information technology with a delectably dark taste of humor. ‘Heathers’ broke the stereotypes associated with teen movies and gave voice to a generation of rebels, triggering an immense cult post-obit over the years.
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7. Harold and Maude (1971)
This darkly funny existentialist drama explores a strange relationship between a 20-twelvemonth-old, obsessed with death and a 79-year-old woman, an eternal lover of life. The film touches on the philosophical themes of life and expiry while fusing elements of dark humor that brilliantly manage to go beyond you on a very profound level. Harold is eerily obsessed with suicides and death and orchestrates fake suicides and attends funerals. In i of the funerals, he meets Maude, a 79-year-old woman and the ii begin to develop a bond on each other’s mutual hobby of attention funerals. The film developed a massive cult post-obit and is now regarded by critics as 1 of the finest American movies always made.
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6. I Stand Lonely (1998)
A controversial pick but an undeniably seductive one to ignore. One of contemporary movie theatre’s almost controversial provocateurs, Gaspar Noe, flare-up out on to the scene with this fiercely powerful, disturbing work of art that strips downward the seething angst bedeviling the frightening psychological edges of the warped homo psyche. ‘I Stand up Alone’ follows a Butcher who, later on being released from an imprisonment for assault, finds himself stranded in the middle of nowhere; rejected, isolated and abased past the society. The entire pic is a lead upwardly to the culmination of his manic-depressive state of mind and despair. The flick floats through the themes of nihilism, despair, suicide and sexual violence. All of which would later become hallmark of Noe’southward picture palace.
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5. The Virgin Suicides (1999)
Adjusted from Jeffrey Eugenides’ novel of the same name, Sofia Coppola’due south feature film debut tells the story of 5 teenage sisters living in Detroit in the 70s after the youngest of them tries to commit suicide. Equally a result, their parents confine them to the interiors of their house that engenders angst, isolation and depressive suicidal tendencies among the girls. Coppola infuses the film with her subtle humor and tenderly melancholic affect that provides a certain warmth to the flick and gracefully touches on the themes of suicide, depression and loneliness among adolescents.
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4. The Hours (2002)
A painfully underrated moving picture starring the likes of Meryl Streep and Julianne Moore with a staggering central performance from Nicole Kidman, ‘The Hours’ is an intense, harrowing look at the painful vulnerabilities of the human condition. Hated and loved in well-nigh equal measure, the film is noted for its startling lead performances and sweeping scores. ‘The Hours’ tells the story of a depressive author whose novel affects the lives of several other women from different fourth dimension periods. The picture might be loud in its approach towards dealing the complex themes of suicide and depression but the well etched characters and the spellbinding performances from its pb ensure that information technology’south non something that you can look away from.
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3. The Fire Within (1963)
The great Louis Malle delves deep into the realities of suicidal thoughts and meaning of life and existence through a depressive alcoholic who undergoes rehabilitation and decides to visit his friends one last time in society to search for the always evading truths of life before ending it. ‘The Fire Within’ is a deeply humane and personal accept on existential themes and the value of existence and cosmos. Alain Leroy meets his friends only to be farther pushed towards the futility of his existence equally his failure to understand the nuances and intricacies of life culminates in him succumbing to the unfathomable complexities of life effectually him.
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2. Gustatory modality of Choice (1997)
Perhaps the most profound philosophical exploration of suicide and death in movie theater, Iranian auteur Abbas Kiarostami‘southward poetic tale of a man’s search for someone willing to bury him later his expiry is a richly thought- provoking, emotionally powerful cinematic experience that lingers in your minds long after the credits have rolled out in true Kiarostami fashion. ‘Taste of Ruby’ is one of Kiarostami’s lesser accessible films and was very divisive amidst critics. The great Roger Ebert tore the film autonomously in his review and deemed it “excruciatingly boring” while many considered it to exist a masterpiece. A a filmmaker who loves to heighten questions than to provide answers, Kiarostami intellectually deepens the philosophy of death and lets u.s.a. introspect on the meaning of life, purpose of our existence and our relationship with nature.
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1. The 7th Continent (1989)
In what could arguably be regarded as the near shocking debut in cinema history, Michael Haneke devastates and bludgeons his viewers with eerie silences, smothering the violent implosions that plague the human psyche. ‘The 7th Continent’ chronicles the emotional and psychological decay of an upper middle class Austrian family, plagued past the mundanities and superficiality of life in the mod society. Their reasons aren’t explicitly delineated. But Haneke, as ever, forces us to observe the sheer ordinariness of their actions that consume their existence. ‘The 7th Continent’ is a shockingly beautiful piece of art that gets cached nether your pare with the poisonous power of cinema.
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